Gay Devotion. Chapter nine
It was a little before 2pm when Ruth, John, Mark and Andy arrived at the Fentons. They were warmly welcomed by Mrs Fenton and ushered into a tastefully furnished large lounge. The producer of the variety show Dick Boulton was there, as was the musical director, Fergus Morris, they were talking to Chris and Ralph. Everyone was introduced and soon the only topic of conversation was the variety concert.
"Andrew, we would like you to give items in both the first and second halves" said Fergus, "so what will it be?"
Andy looked at Chris. "Shall we sing the duet 'In the depths of the temple', after your solo, and my solo can follow the duet. I thought I might sing 'Everlasting Love', most people seem to enjoy it."
"The orchestra knows that song but it will need to learn the duet. Do you have the score?" asked Fergus.
Mark opened his battered briefcase at which he noticed Mrs Fenton looked at askance when they arrived. He took out the score of the Pearl Fishers and sat at the grand piano.
"Come on Chris, we worked hard at this, you and Andy know it well," he said. Andy and Chris stood together behind Mark as he began the introduction. Their perfectly balanced voices blended beautifully. Every so often Mark would tell them to give "More passion, remember the past".
When the duet ended, no one spoke until Mrs Fenton, who at first seemed at a loss for words, said "Christopher that was wonderful," her voice broke. "I did not know you voice was so good."
Chris clasped Mark's shoulder. "This guy has helped, he really is a perfectionist.
"That we cannot leave out. Do you know his solo Mark ?" asked Fergus," it is to be "Where ere you walk"
Mark noticed Chris did not seem to be very enthusiastic. He began to play the Handel aria. Chris sang it sweetly but without much feeling.
"A nice combination with an effective sequence," said Fergus. "Now let me hear 'Everlasting Love'. I've been using the CD to get the timing right but it is better to take it from the soloist."
Mark began the introduction and Andy's familiar rendition captured everyone again.
"Now that will be a crowd pleaser," said Fergus, " don't you think so Dick?" Dick agreed. "The news is out that you will be performing and ticket sales have rocketed." He turned to Dick. "Any thoughts?"
"Not at the moment, at tomorrow's rehearsal I will have plenty."
Now the second half features Dame Malvina Major. She wants to sing The Merry Widow Waltz with you. If you know it, you will remember that it will include dancing with her."
Dick interrupted. "Can you handle it, she is old enough to be your mother."
Andy laughed. "My mother and I waltzed rather well, no problem, but can I also flirt with her?"
Chris guffawed, "Do you intend to put on another exhibition like you did in Rigolleto?"
"Why not, it's a fun night and we should get into the spirit of the event."
"You are in for quite a night once he starts performing," said Chris to Dick, "he lives the character."
"That's what we want. Your costumes will help." Dick seemed a trifle anxious as he added, "I hope you don't mind wearing costumes."
Andy's eyes lit up. "How outrageous, I love it but I draw a line at drag. I may be gay but I am not femme."
Fergus roared. "Flirting with Malvina will certainly confirm it."
"Do you have the score?" asked Mark. "We like to practise, and an opportunity with Dame Malvina would be appreciated."
"I'll see what can be arranged."
"I apologise for taking charge, Mrs Fenton," said Dick Boulton.
"Oh I expected it, didn't we Angus," she said to her husband. "I hope Mr and Mrs Turner didn't mind."
"Not at all," said John. "I am finding it fascinating learning how the show is put together."
Dick turned to Andy. "All the songs on your new CD Forever Yours I notice are composed by Jeremy Weston, they are enchanting. No wonder they are so popular."
"His most recent composition is "A song for the new millennium." It's quite different. It's brilliant and could be the piece de resistance."
"It's pity we can't hear it," said Fergus.
"There would be too little time to practise it anyway, for it is the orchestration that really makes it." said Andy.
"I would still like to hear it."
"You can if you wish, I can sing it."
Fergus's eagerness was unmistakable. Mark took the score from his case and Andy stood behind him. The piano did not do justice to the opening drum rolls, the crash of the cymbals and the trumpet fanfare, but Andy's dramatic "Welcome welcome bright new day" and his encouragement to develop positive attitudes he effectively pleaded within the song. His dramatic reassurance of better expectations for the future, was most effective. The captivating rhythm of waltz time and the haunting melody were infectious and soon had everyone wanting to join the chorus. Andy ended on a strong top note to the crash of cymbals and the thunder of kettle drums, which Mark could never adequately substitute on the piano. Fergus was stunned.
"It's amazing, what a mgnificent choral performance it could be."
"It's a pity there is insufficient time to make it a feature of the show, " said Dick.
Mark handed a copy of the orchestral score to Fergus. He carefully examined each page.
"This is impressive, the scoring is clever, dramatic and exciting. The orchestration reflects the sentiments of the words most effectively.. The words address current popular issues, the protection of the planet by future generations. It will appeal, particularly to the younger generation."
Meanwhile Dick was reading the lyrics. He spoke to Fergus.
"There is a rehearsal of the choir and orchestra tomorrow, do we have time to give this a trial?"
"We could ask Andy and Chris to come early to run through their items, say 9am, and then we could fit it in."
Fergus looked at them expecting a response.
"I can," said Andy, "and I," said Chris.
"Then we will give it a trial. I'll photocopy sufficient copies for the members of the choir and orchestra tonight," said Fergus.
Mrs Fenton appeared wheeling a tea trolley followed by her husband with a tray of sandwiches, savouries and cakes.
Mark offered to take Chris through his solos and the duet, which he accepted. It was agreed that he and Ralph would be at Mark's home at 7 that evening. Now Ruth and John and Mr and Mrs Fenton were able to get to know each other, but it was Mrs Fenton who dominated the discussion which seemed to be mainly about the concert They did not stay much longer but as they drove home, they agreed it had been a very interesting and valuable afternoon.
"That was an excuse to get us involved with the concert," said Andy. He apologised to Ruth and John for he believed it could have been a boring afternoon.
"Don't apologise," said John, "I found it fascinating. I think Ruth feels the same." Ruth agreed.
During tea, they talked about Mark and Andy's probable involvement with rehearsals, but Andy was emphatic that shopping with Susan and Luke was their priority. They could not avoid the morning rehearsal but would keep the afternoon free.
At about 7 Chris and Ralph arrived. Andy and Chris polished the duet until Mark was satisfied with their performance. Then Mark asked Chris for the score of his solo, 'Where ere you walk', he handed it to him reluctantly.
"It's not my choice, it won't help my reputation, and is hardly appropriate for a variety concert." He was not happy about it.
"What would you choose?" asked Mark.
Chris handed him 'Largo al factotum' which he had sung at the Music Department's concert
"This is fun to sing and better shows my vocal ability."
"So be it, if necessary I can be your accompanist."
They practised it until Mark thought Chris had mastered it.
"I hear that Fergus is keen to include the Millennium song, so mother tells me," said Chris. He wants to involve Andy and the choir."
"I think it should include you as well," said Mark.
"I would like that," said Chris.
"Well let us work out a presentation format and suggest to Fergus tomorrow."
They spent the rest of the evening identifying the participants for each verse, some as solos, others as duets one the choir alone with it taking the chorus after each verse. The orchestra would also have a slot on it's own .
"This would make the performance very dramatic, see how it builds to a strong conclusion," said Mark. "It makes it possible for the soloists to involve the audience, they wont be able to resist toe tapping to it's captivating melody."
"I like your suggestion," said Andy. "We will put it to Fergus tomorrow."
The rehearsals were being held in the assembly hall of one of the city center colleges and Luke and Susan gave directions to Mark who was driving. There was a large crowd of young people milling about as they entered, their chatter creating a lot of noise, Susan and Luke joined them. Fergus greeted Mark, Chris and Andy and then blew a whistle. "Will everyone please take their places," he yelled. Quickly the choir stood in ranks on the left, men at the back and women in the front. The members of the orchestra took their seats on the right.
"We are starting early so that two of the soloists can rehearse with you before we do some more work with the choir and orchestra," said Fergus. He then turned to introduce Chris and Andy.
"This is Chris Fenton a baritone and this is Andrew Wilson a tenor who most of you have heard on his CDs but never seen before." Andrew's name caused quite a stir. "Chris will be singing Rossini's Largo al factotum, which the orchestra will learn today along with the Bizet duet, In the depths of the temple, which he sings with Andrew. Mark Turner will accompany them meantime."
Mark took his seat at the piano with Chris standing beside him. He sang the aria with fervour and full of expression greatly amusing his audience. The rapid patter of the song he delivered most precisely
"Orchestra that will be your challenge, can you play it?" asked Fergus. There was a shout of "we can." "Now for the Bizet."
The duet had the listeners spellbound as their balanced voices proclaimed the strong emotions felt by the two men. Spontaneous applause followed it's ending.
"That, orchestra, we also need to learn, can we do it?" A convincing reassurance gave Fergus the response he wanted. "Now it is your turn. You know Everlasting Love and Andrew is going to sing it with you."
The choir cheered, then silence as the orchestra watched Fergus' baton. Andy was surprised to hear how professional it sounded and felt comfortable with it's backing. He smiled at Mark as he gave it his best. At the end everyone enthusiastically applauded him.
"Now you can see we have some work to do," said Fergus, "but I also have another challenge for you. Many of you have heard the songs of Jeremy Weston that Andrew sings, he has written another never previously performed, you could launch it at the concert if you want to. Andrew and Chris will introduce you to it."
Again Mark sat at the piano with Chris and Andy behind him. Andrew sang the first verse with Chris joining him in the chorus. Chris sang the second verse with Andy joining him in the chorus. The third verse they sang as a duet, the fourth taken by Andy and the final as a duet. Mark could hear the choir humming the chorus already captivated by the beautiful melody and enchanting rhythm of the waltz.
"The choir already seems to have caught the tune," said Mark, "would you like to try it?" There was a resounding "yes" in reply. Mark, Chris and Andy took copies of the words from a pile on the top of the piano and began distributing them among the choir. Fergus distributed copies of the score to members of the orchestra. Chris and Andy joined the choir and shifted among the members singing with them as Mark played the chorus. The orchestra members joined in. Then Fergus took over.
"The choir should sing the last verse for it is a universal appeal," he said. Chris and Andy first sang it through, then repeated it with the choir.
"Now orchestra let us see if you can play your parts, from the beginning."
The opening crashing cymbals, rolling kettle drums and the trumpet fanfare was not too rough and the strings and woodwinds strongly held the melody and tempo.
"Not bad, not too bad, but do you like it?" There was a firm agreement that they did. "Should it be included in the programme?" A loud affirmation followed. "Ok we will spend time on it today and tomorrow, OK?" "Ok " came the reply.
"We have been practising Dame Malvina's The Merry Widow waltz song that she wants to sing with Andrew. Let us run through it with Andrew, Ingrid will you take the soprano role?" A very pretty girl stepped forward. Andy bowed to her and took her hands ready for the opening dance. She blushed. "It's new to me too, I'll try not to step on your toes. I hope you can waltz."
The lilting melody began and Andy swept Ingrid around the hall. Her voice was really good as she began the song, firm and confident. Andrew joined her in the duet. It was an impressive performance and Chris wondered why they needed Malvina.
"You seem to have no problems, I guess you have been practising at home," said Fergus. "She also wants to end the show with Time to say goodbye. Do you know it Andrew?"
"Very much so. Would Ingrid like to join me with in the chorus?" Ingrid looked delighted.
Mark could not believe how good they were. When it ended, everyone demanded an encore. It was time for a break.
Many of the students crowded around Andy seeking his autograph and wanting to talk to him. One guy with a pink triangle on his lapel said he would be at Victoria University next year and was looking forward to taking music. "Be sure to keep in touch then," said Andy. They left at the end of the break as the choir and orchestra settled back to learning the new pieces. They promised to return the following morning at the same time.
A song for the new millennium.
- Welcome, welcome bright new day
offering prospects all can say
are mine, all mine to seize
for I have hope and purpose.
Visions are reality and hopes will be fulfilled
When others too determined are
to see their goals achieved.
Chorus. We can, we will, be this assured, we will not be doubted
To make the earth a place of peace and beauty untarnished
Oh seize the day, the place the hour and make our planet better.
. 2. Begone dark clouds of war and crime
Begone sad moments, bitter times
Forget regrets and failures too
Let fresh goals inspire us
We know that we can try again
more likely to succeed.
So great a challenge comes our way
the prize inspires us all.
- May friendships flourish, bonds grow strong
Let love and joy enfold us
as friendships grow and new ones found
to make us all one family.
Respect from others we enjoy
in others pride is our reward.
- From seashore to mountain top protect all nature's glories
pristine forests, oceans, lakes, rivers, vales and prairies.
Fragile nature we will protect, our heritage is precious
No more waste, polluted roads, oil spills, fires, and litter
Abusing nature's not for us, it's loving care concerns us.
- Are you not with us, your worries not ours?
to stop transgressions, destruction, and harm ,
with others then to right those wrongs
Are you not angry sad and challenged,
then come with us and seize this day .
They had lunch in a caf‚ in Broadway, the main boulevard of the city. It was a pleasant place with provision for outdoor dining on a landscaped street with ironwork decorations. They sat at a table under a tree.
On New Year's Eve", said Chris, "on this street there will be no vehicular traffic, no glass or liquor allowed, and there will be bands entertaining crowd of people. It was a great success last year, so this year it is to be extended to include the Square in the city centre. Some 10,000 people are expected to greet the New Year here. Security guards will be removing the drunks and any other undesirables. It will be lots of fun."
"Is that the Regent?" asked Andy pointing to a theatre on the other side of the street.
"It is," said Chris. "It has a heritage protection order on it and was recently restored to it's original 1930's condition. It has a beautiful auditorium with elaborate plaster decorations. The ceiling is magnificent. The stage was made larger when it was rebuilt and they have installed a top of the range sound system. It is now considered to be one of the best theatres in the country. We are truly honoured to be asked to perform here."
Chris was proud of his city and pointed out many of it's attractions.
"When and where do we meet Susan and Luke?" asked Andy.
"At 4 at the college," said Mark. "We can take Susan to Sports Unlimited which has the best selection of sporting equipment."
"And where do you buy trumpets?"
"I have no idea, so I think we should take Luke back to town with us where there are several good stores selling musical instruments," said Mark.
"I think he would like to spend a few days with us before college resumes, he would probably enjoy it," said Andy.
"No doubt he will want more of his forest experiences," said Mark with a grin.
"What happens in the forest?" asked Chris
"What do you think," Mark replied.
Chris chuckled, "so he likes oral sex? Maybe we should include a game of tag."
Andy looked at Mark, "should we?"
"It could be fun if he agrees. I'll ask him."
At 4pm they found Susan and Luke waiting for them. Susan could not wait and as soon as she got into the car she had to tell them about the impact they had made that morning.
"When you and Chris joined the choir, that was something. The girls went gaga and the boys thought you were cool. They noticed Andy that you stood between the gay guys and gave them a hug,"
Andy grinned, "but what about the music?"
"Great, it was really good, and are they enthusiastic about the millennium song? There is not a lot for the choir to learn and they soon mastered it."
"Bloody hell," said Luke, "you guys are not so popular with the orchestra. Fergus has been hounding us all day. It's the millennium song that is tough, the orchestration is tricky but sounds great. Lots of timpani, the brass contributes often and Janet says the flute does not get many breaks. Anyway we are mastering it and we should be ready by Friday."
Susan chose her perfect tennis racket after checking many for weight and balance. She was delighted with it hugging Andy and Mark as they left the store. Luke was not able to tell them where he could buy a trumpet. When Mark suggested that he return with them to Wellington where there was a choice of stores, he was delighted and enthusiastically agreed.
The rehearsals went so well that Chris and Andy needed to spend only a couple of hours on the Wednesday morning. The final rehearsal was at the Regent theatre on Thursday afternoon with Malvina. She was a very friendly lady greeting everyone as if she had known them a long time. She and Andy clicked and were soon sharing jokes. Malvina had sung Lehar's The Merry Widow many times and guided Andy through his part and the stage directions. She was delighted that he danced so well and very quickly they were giving a demonstration performance. Andy had practised with Susan guided by Mark, and so the duet had few problems.
"I know you have quite a stage presence," said Malvina, "I saw you in Rigolleto, so go to it, this could be fun."
Andy grinned as he whispered, "I'll be your toy boy, ok?"
She shrieked with laughter as she nodded, ok.
"I believe we are singing Time to say goodbye as a duet at the end of the show," said Andy. "That is a song that is very special for me, it was my mother's favourite."
"Was? Is she no longer with you?"
"No my parents were killed just before Christmas."
"I am honoured then to be singing it with you." She squeezed his arm. "So will you take the first verse and chorus, I the second and chorus, and together we repeat the final chorus. Would that be ok."
Andy nodded. She gave Fergus the 'ready' signal for The Merry Widow to commence. The orchestra played the introduction as Andy entered from off stage, bowed low to Malvina and kissed her hand while slowly raising his eyes to hers. His gestures invited her to dance. He swept her into a fast rotating waltz making no allowances for her age as they swept around the stage.. He took her to a seat and began the beautiful familiar song, she responded her magnificent voice filled the auditorium .She stood, and with his arm around her, the duet became a love song increasingly passionate until together they declared their love on brilliant high notes.
"You are very good," she said.
Andy blushed. "One day I will sing an opera with you. In two years time when I finish my degree, I will be going to the London Opera School."
"I hope it might be sooner, you already have a stage presence and are a natural actor, I'm sure you will be a success."
Then they sang Time to say goodbye. The farewell was given meaningful expression by Andy capturing Malvina so much that she was slightly late commencing her verse. Their voices melded beautifully, so that as their final high notes slowly faded, it left the listeners entranced. Then the applause exploded.
Malvina said nothing as she saw tears in Andy's eyes. "Your heart was in that one." She hugged him. "I do understand." She squeezed his arm as she left him.
Fergus came up to him. "You are really good. Tomorrow night will be spectacular if we can keep up this standard. Thank you Andrew, you have been a great help."
Mark had been sitting at the back of the theatre and came forward as Andy left the stage. He came to his dressing room to find him in tears.
"That woman is special, I felt the music more than usual, particularly the last song."
"Your loss is still very much with you," said Mark as he took Andy in his arms to comfort him. "Shall we go?"
As they were leaving, Dick Boulton gave them a garment bag. "This is your costume for the performance tomorrow, if it needs altering, bring it back in the morning. The chosen colour complements the other costumes, sorry you don't have a choice. Many thanks for your great performance."
He left quickly giving them no opportunity to ask questions or comment.
"Well, well, we are going to have fun dressing you, " said Mark. "You had better be prepared for the family's unflattering comments."
"No doubt Susan and Luke will be equally devastated."
After the evening meal, Susan and Luke brought in their costumes. As they took them from their bags, there were looks of dismay.
"I don't believe it," said Susan, "an orange blouse with brown satin slacks, and what's this, a purple head band?"
Luke was chuckling, "I bet the man are into drag," He withdrew a yellow shirt and bright blue satin slacks.
"Whose the canary? said Mark as he laughed hilariously. "Now I am really scared that Andy will be wearing scarlet tights." He chuckled at the thought.
Andy had a white silk shirt with ruffles down the front and at the cuffs. Then a royal blue velvet jacket and gold satin slacks.
"Whose the peacock?" shouted Luke just as Ruth and John appeared to find out what all the noise was about.
Susan went into her bedroom to change but Luke and Andy quickly took off their shirt and trousers and put on their costumes. They were surprised that they fitted so well.
"I hope it will be a warm night," said Ruth, "it could be quite chilly in those costumes "
"I'm getting used to it," said Luke as he strutted up and down the lounge.
Andy looked quite smart and the royal blue enhanced his good look.
"You will have to watch it," said John. "You are already a heart throb and your fans will soon have those pants off you."
"That includes the boys," said Luke. There are two guys in the trombones who have the hots for you. Even Janet thinks you are rather nice."
"Don't worry Luke, she is the wrong sex," said Andy.
Susan came in looking very smart. "I like it," said her mother. "but the purple head band seems to clash. Maybe others will think the same and leave them off."
John fetched his camera and took flashlight photos of them first as a group and then individually.
"You can use my dressing room if you want to change," said Andy, "but I think it would be fun to party in them after the show." The others agreed.
"But what can I wear?" asked Mark forlornly.
"Rainbow tights," said John.
"Likely," snorted Mark.
"Good," said Luke, "then he would attract more boyfriends than he could handle."
Firmly Andy told Mark he looked fine dressed in his usual casual clothes. Mark got the message. They checked that the costumes were comfortable and really didn't need altering.
The phone rang and Mark answered it. It was Chris wanting to know what Andy's costume looked like. When Mark told him he heard a groan. "Mine is much the same style with a similar shirt but a silver jacket and bright blue slacks."
"Gold slacks with blue slacks will make a good contrast for those duets. I like it," said Mark. "Whoever selected the colours has thought of spectacular total effects. The stage will certainly be very colourful."
"I suppose so," said Chris not convinced.
"Be sure to have your photo taken," said Mark before ending the call.
There was a low level of tension among them during Friday. "It's always the same before a show," said Andy. "It's a sure sign that it will be just fine."
They dressed in their costumes before they left home and arrived at the theatre at 7 as required. Broadway was closed to all traffic so John dropped them off in the street behind the theatre and then searched for a park for his car. It took him half an hour to find one. Broadway was packed with people and already the audience was filing into the Regent. Mark and Ruth joined them as the others entered by the stage door. A blaze of colour greeted them as the choir and orchestra milled about. The principal artists looked distinguished in costumes of strongly contrasting colours. Andy saw Dave Dobyn a pop star enter his dressing room, then a famous pianist who lived locally, several ballet dancers, a clown, and four human legs under a horse. Everyone was excited. Then Andy saw Malvina in a golden gown. She came over to him.
"I'm really enjoying myself," she said. "It's going to be a great show. As they say in show bus', 'break a leg' but don't you dare, you are also to have a good time, best of luck." She squeezed his arm and went into her dressing room.
The variety concert started on time to a packed house. Mark, Ruth and John found they were seated next to Ralph and the Fentons in the best seats in the dress circle. Ruth felt sure Mrs Fenton was responsible. The curtain rose to reveal the choir and orchestra. It opened o the final movement of Beethoven's Choral Symphony, The Ode to Joy, with local singers taking the leads. The choir and orchestra were brilliant. There was no doubt they were well trained. Pantomime followed farce, a jazz band then Dave Dobyn, and two arias from Dame Malvina Major. Chris and Andy were next. Chris' Largo al factotum was applauded enthusiastically but when he and Andy sang the duet In the depths of the temple, the audience was entranced. The beauty of the two voices was astounding. The audience was on it's feet as it applauded. Everlasting Love had everybody spellbound as they heard and at last saw, the boy, no the man with the beautiful voice. Shouts, cheers, stamping feet and demands for encores followed Andy' rendition. Andy had to sing it again.
During the interval most were talking about Chris and Andy. Mrs Fenton was almost in tears. One of her friends came up to her and congratulated to her saying that Chris had a great future with such a voice.
The second half included many of the same artists. It was when the familiar melody of The Merry Widow waltz began to an empty stage, that the audience became very quiet. Malvina appeared in her beautiful gown humming the melody. A few seconds later Andy appeared speaking the lines of the operetta. He approached Malvina, dropped onto one knee, then kissed her hand. It was a passionate love scene. They began to dance, he whirling her around the stage, he flirted with her as they danced. When the dance ended he took her to a chair and sat at her feet. Then as he began to sing, he raised her and she joined him in the duet, their passion increasing with the volume and the rising key. Andy's firm high notes matched those of the soprano. They were magnificent. At the end, it was again a standing ovation.
As the choir assembled, Fergus told the audience that what they were about to hear was the first performance of a new work by Jeremy Weston the composer of Everlasting Love.. It is called "A song for the new millennium."
The spectacular opening caught everyone by surprise. During the quiet introduction that followed, Andy emerged from the choir to stand in front of it. A brass fanfare preceded Andy's declaration as he began the first verse. The melody in waltz time captivated the audience. He and the choir sang the chorus. As the introduction was repeated, Chris also left the choir and sang the second verse, the choir joining him with the chorus. Chris and Andy sang the third verse as a duet again joined by the choir with the chorus. The orchestra now played a variation on the melody. The choir took the fourth verse. To the opening crash of the cymbals, the choir and soloists sang the final verse repeating the chorus accompanied by fanfare and kettle drums. It was electrifying. The audience was stunned, The acclamation was incredible as the audience roared it's appreciation. Chris and Andy rejoined the chorus so that with them, they could acknowledge the applause.
Then Andy saw Jerry being wheeled onto the stage by Aaron followed by Malcolm. Fergus went to the front of the stage to address the audience.
"It is my pleasure to introduce to you the composer of "A song to the new millennium" which we have just performed, and Mr Jeremy Weston who orchestrated the composition. He pushed Jerry to the edge of the stage and shook his hand. "Mr. Malcolm McPherson," he said as he shook his hand and brought him forward to stand beside Jerry. Everyone clapped enthusiastically including all the artists who were now returning to the stage, several stopping to shake Jerry and Malcolm's hand. The assembled company divided as Malvina and Andy came forward and stood in front of the orchestra as it began to play "Time to say goodbye."
Andy faced Malvina as he sang the first verse and chorus. The strong emotions he felt were clearly conveyed in his sensitive presentation, his strong rich voice reaching the furthest parts of the auditorium. Malvina took the second verse and the chorus was sung as a duet with the chorus being repeated. It was extremely moving as their voices harmonised so effectively. As the high notes at the end faded the audience erupted. There were 12 curtain calls during which members of the choir presented all the principals , the Producer and Musical Director and Jerry and Malcolm with bouquets of flowers. The prolonged acclamation clearly indicated that the audience felt that the Variety Concert had been very much appreciated.
Ruth and John decided that they would not stay to celebrate the new year in the city, but would return home. Mark went with them so that he could return with the BMW to join the others. They declined the Fenton's invitation to have supper with them but invited them to join them for New Year's Day dinner, warning them that many of the friends of Chris and Andy would be there. They accepted the invitation and said that they would be bringing a contribution to the meal.
As Andy and Chris were leaving the stage, they saw a number of reporters around Jerry and Malcolm. They then saw Andy and rushed over to him.
"Can we have a photograph of you both?" asked one, they had no objections so joined Jerry and Malcolm. The cameras flashed. Then a barrage of questions were aimed at Jerry and Andy. Andy told them that the millennium song was by far Jerry's best, but Jerry insisted that it's success was due to Malcolm's orchestration. They both agreed that the outstanding performance was due to the soloists Andy and Chris. Andy was able to include a plug for "Forever Yours" which contained more of Jerry's songs. There were more photographs of each of them and more questions and it was some time before they were able to escape to Andy's dressing room. They found a note from Mark telling them that he would find them in the Square when he returned with the BMW. Susan and Luke arrived with Craig and Janet and there were more introductions.
"Let us join the crowds and have fun," said Grant who had now rejoined Malcolm.
"I don't have any money," said Andy panicking as he suddenly realised that his costume did not have any pockets and his wallet was at home.
"Can we afford to help him?" Aaron asked Jerry.
"And me, I have the same problem," said Chris.
"How much, pauper?" asked Jerry.
"Can you afford twenty dollars?"
Jerry gave them the money as he said, "remember we are hard up students too."
Broadway was really gay with Christmas decorations on lamp-posts, awnings and trees. The Square was a blaze of colour with the trees festooned with coloured lights and with many floodlit. Christmas decorations were strung between buildings, across streets and intersections. Bands were playing on specially built platforms on many of the lawns.
They joined the dense crowd in Broadway. Some the people were in kilts, many in their national costumes, Chinese, Korean, Pacific Islanders, Maori, Irish, Dutch, Indian, they seemed to be everywhere. There were groups of line dancers, Scottish country dancers, folk dancers, still others square dancing. There were people of all ages but teenagers seemed to be in greater numbers dancing to the music of bagpipes, jazz bands and pop groups. Their own costumes added to the kaleidoscope of colour around them. Chris and Ralph joined a group dancing a reel, and Aaron and Andy, a line dance. They were soon thoroughly enjoying themselves.
For no apparent reason the colours of the choir and orchestra seemed to congregate together as the evening progressed, and by the time they reached the Square, they were distinguishable as a group. Andy and Chris joined them. Susan and Luke saw them and with Janet and Craig, also joined them. Andy heard several of the group humming the chorus of the Millennium song. Then one of the men climbed onto a nearby stage and began to sing it. Immediately others joined him on the platform and began to sing it with him. Then one of them saw Andy and Chris.
"Andrew, Chris, give us the verse," he called. "Come on, be a sport."
They too climbed onto the platform, and so began a repeated performance. The crowd turned, the dancing stopped and everyone gathered around to listen. The members of the choir and orchestra sang the chorus at the end of each verse. The lilting melody was infectious and many swayed to the rhythm. When it ended, the crowd demanded an encore. They sang it better than ever. A cheer greeted Andy's final high notes. A church bell began to toll and the clock in the tower in the Square began to chime midnight. Fireworks erupted into the clear starlit sky accompanied by cheers from the crowd and everybody wishing everyone else, a happy New Year. Couples were kissing both the same and opposite sex, Ralph and Chris, Aaron and Jerry, Susan and Craig, Luke and Janet. Someone behind him turned Andy around and kissed him, he knew it was Mark and he returned the kiss just as enthusiastically.
"Happy New Year darling", said Mark as he tightly embraced him.
The crowd began to sing "Should auld acquaintance be forgot," with everyone joining in while clasping the nearest hands. The choir gave it full voice encouraging the less confident, and the well known Robert Burn's greeting of the New Year rang loud and clear at the dawn of the new millennium in the city.
"Sing the millennium song again," shouted someone followed by others calling for the same. The choir repeated the earlier performance this time with many of the crowd joining the chorus. Everyone cheered as it ended.
The dancing continued late into the night. At about 2pm, Andy suggested that it was time for bed. He noticed that Susan and Janet increasingly needed the supporting arms of Craig and Luke. They agreed and followed Mark to the car which, after much difficulty, he had parked at a Supermarket. There were fond farewells as he dropped Craig and Janet off at their homes but he reminded them that they would soon be together again at dinner that day.
They were late rising and when they came down to breakfast, Andy and Mark found Peter and Paul having coffee with Ruth and John.
"I have told your parents Mark that they can relax today as Peter and I are preparing the meal," said Paul.
"They are terrific cooks, and their dinners are out of this world," said Mark to Ruth. "Relax and enjoy yourself, for today you are going to meet many of our special friends. You saw Aaron pushing Jerry onto the stage, and Malcolm, and then there is Grant, Malcolm's friend. It is going to be great all being together on this special day." He kissed his mother.
"So what did you think of the concert?" asked Andy.
John took his hand. "It was unbelievable, like us, many of the audience around us could not believe it was local talent. You and Chris were terrific."
"What about us?" asked Luke as he came through the door followed by Susan.
"Son, the orchestra and choir were really good, both, obviously, well trained," said John.
"The Millennium song seems to have made an impact," said Andy, "the crowd in the Square made us sing it again."
"I could hear it as I hurried across the Square," said Mark. "I reckon Jerry has another winner. Once Olaf hears about it, I bet he will want to make a recording. I can see the dollars flashing in his eyes."
"Well this time the royalties go to the colleges that contributed to the choir and orchestra."
"Now that will give them a small fortune if it hits the charts," said Paul.
"Really?" said John surprised.
"Royalties from Everlasting Love have already paid over two million dollars," said Andy. John looked as if he did not believe it.
"Well I need a hand, so hurry up with that breakfast," said Peter.
Paul asked Ruth for aprons for himself and Peter. The others took the boxes of food from Paul's car into the kitchen. Peter was preparing vegetables as Paul whipped cream and directed the others as they set the meal on tables in the dining room. Mark, Luke and Susan found the various items requested by Peter and Paul and made sure that nothing was missing. At 11.30 the Fentons arrived with more food including ham on the bone and special meats. As the visitors arrived they were welcomed with glasses of wine. Luke and Susan's assistance seemed to disappear when Craig and Janet arrived. Aaron had rented a car and brought Jerry, Malcolm and Grant. John and Ruth were introduced to them by Mark. Mrs Fenton gushed over Jerry asking him many questions about his songs. He kept giving credit to Malcolm and Andy for his success.
"After last night, it seems that Chris is also likely to be assisting me. He has a great voice which suits my songs," Jerry said.
The main topic of conversation was the variety concert. They could find few faults and were all impressed by the quality of the production.
"Of course Dick Boulton is one of the best producers," said Mrs Fenton. "We were most fortunate that we were able to engage him."
"It was certainly a polished production," said John
"The TV One reporter also thought so," said Grant. "I was talking to him at the end and was told that they are screening a review of the New Year celebrations across the country on the 6 O'clock news, and Palmerston North is to be included. He and the cameraman were so impressed, it is likely that a selection from the show will also be included."
"We might see you on the telly," Mrs Fenton said to Chris. Chris did not look pleased. He went over to talk to Mark and Ralph.
"Can we go back to town with you," he asked. "Mother's sending me up the wall. A little of her goes a long way."
"Come on Chris," said Ralph, "you know she dotes on you, you are all she has, you are her world."
"But I am no longer her baby, and she still wants to make my decisions."
Chris was quite worked up.
"Try to ignore her irritations," said Mark.
"Why not take her aside and tell her how you feel," said John who had been listening as he stood behind him. "You are a man, independent and with your own life which she has still to accept and respect. I'm sure your Dad will understand and could help."
"So when are we returning?" Mark asked Andy. "We are taking Luke back with us and returning him later, so shall it be Wednesday?"
So it was agreed.
It was a smorgasbord meal with the dining room table laden with many choices of meats, salads, hot dishes including vegetables. On another table were the sweets, pavlovas, trifles, fruit salad, cheesecake, gateau, and ice-cream as well as a selection of cheeses. Mark and Andy kept everyone's glass filled with several top wines that he had chosen from his father's cellar. The young people sat in the sun on garden furniture on the patio while the Turners and Fentons with Paul and Peter enjoyed more comfortable seats in the lounge. There was so much food that Peter and Paul kept encouraging everyone to have more until everyone cried 'enough'. Even so the guys continued to nibble nuts, raisins and dried fruits. The meal never seemed to end for they replaced the empty dishes with fresh fruit. All this time the liquor flowed until Ruth said she would like a nice cup of tea. Mark quickly provided it together with a large plate of Christmas cake.
Then Jerry wheeled himself to the piano and began to play. They were new tunes, often plaintiff but everyone very appealing.
"You seem to have an endless supply of melodies," said Paul.
"Now who would be interested in that?" said Aaron sounding mildly disgusted.
"I know several member of GAP would be, men with similar interests to Olaf and Hans who you know and who are also members."
"They certainly know what sells," said Mark, "and your songs are making them a fortune."
"Alright we will fix a date," said Jerry as he began to play another tune.
At 5 everyone was still enjoying themselves so Paul announced that they could finish the meal for tea. Sandwiches and more savories were added to the left-overs along with cakes and buns. Tea and coffee now seemed to be preferred to wine. At 6 someone switched on the TVOne News Report. The main news was a report on how different countries celebrated the dawn of the new millennium and especially the first light in the fist country to see it, New Zealand. Then it visited the main centers in that country, Auckland, Wellington, Christchurch and Dunedin.
"In the smaller centers, the most impressive celebrations was in Palmerston North," said the news presenter. There appeared scenes of the crowded Square and Broadway. Several times the colourful costumes of those in the variety show appeared. The news presenter continued,
"The most impressive feature was the Variety Concert in the Regent Theatre that featured Dave Dobyn, and our own diva Dame Malvina Major. A highlight was 'A song for the new millennium' composed by Jeremy Weston." Jeremy, Malcolm, Chris and Andy appeared on the screen. "To end the news, here is that song sung by Andrew Wilson and Christopher Fenton with the combined choirs and orchestras of the local colleges."
Everyone was glued to the TV screen. From the opening cymbals, drums and fanfare when the camera stayed on Luke, it was brilliant. Chris and Andy looked and sounded magnificent. Then there was a shot of Janet on the flute as she accompanied Andy's high notes. The declaration of the chorus sung by the choir was startling and the cameras swept along the rows of young singers, catching a glimpse of Susan and Craig. As the performance continued, the clear voices of the principals caught the strong impact of the message enhanced by Malcolm's effective orchestration. He was quivering as he listened. The impact of the final chorus was breathtaking as the full orchestra's forte climaxed the dramatic ending.. A view of the enthusiastic audience applauding faded as the news ended.
"Wow, that was something," said Craig. Mrs Fenton and Ruth had tears in their eyes.
"You are marvellous, I am proud of you all," said Ruth. Mrs Fenton nodded, unable to speak.
"You've done it again Jerry," said Craig.
Andy walked over to Chris, hugged and kissed him. "You were brilliant man. I hope we get a chance to perform it again."
"Malcolm you have the gift," said Paul. "Your orchestration gave that song a fire and energy that made the lyrics a declaration that none could ignore. The tune is so catchy that it might soon become a pop song and the words will certainly appeal to the younger generation."
"It's already happening," said Janet. "The crowd in the square were already singing the chorus last night."
Jerry looked stunned. "It's hard to believe that they like it so much."
"You might have a tiger by the tail which could take you places," said Mr Fenton. "You can never escape a good tune set to waltz time, that's why The Merry Widow is still popular today. Now how does your song go again?"
There was no stopping them as the young folk sang the chorus. Then they sang more of Jerry's songs led by Andy.
The guests left early for they were now beginning to feel the effects of the previous nights festivities. Mark went to bed soon after promising his mother he would help her clean up next morning. He was dozing when Andy's arms and naked body embraced him and snuggled into him.
"What a day, what a night, I'm buggered," said Andy, "but I am the happy chappie for the show was quite a success, what say you?"
"Yeah great, and I'm pleased too, but right now I want to sleep so any thoughts you might have about sex, you can forget it and take a cold shower."
Ok I'll just feel you, smell you, taste you a little until the morning." Andy sighed. "Sweetheart, it was you who made sure that Chris and I could do it. Man do I love you?"
Mark could not sleep, his thoughts kept returning to events over Christmas and the New Year. It had been wonderful that all his best friends had been with him for the New Year, to share the celebration of the best things that had happened to him over the past year. He thought of Ralph who had helped him to accept his sexuality, the sympathetic and understanding Aaron, the music of Jerry and Malcolm and most important of all, his beloved Andy. His hateful blemish, his hairy body, was now a blessing, the attraction for a very special guy who had become more than a friend, his lover. Now like him, he was out and no longer hid his sexuality, and that was very much due to him. Together they knew what they wanted from life and the direction their careers would take. He recalled that wonderful occasion when he first admired Andy's physique, his beautiful body that he could not fault. And how much Andy loved him, even to the point of jealousy. But will it last? Could such absolute affection last their lifetime? It was precious. He felt the warm body beside him, his smooth skin, the curve of his muscles, his soft silky hair. Oh God he was beautiful, really beautiful. His heart swelled with pride and emotion. He had never before loved another like this, never, this guy was so beautiful. And for him, it was so beautiful to be loved. Mark kissed his chest, his lips, then slept.
The End.
The author Stewart Ransom welcomes comments. E-mail: nivision@manawatu.gen.nz